| 也谈中国画的底线 |
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| 引用本文： | 蔡炳云.也谈中国画的底线[J].泸州职业技术学院学报,2009(3). |
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| 作者姓名： | 蔡炳云 |
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| 作者单位： | 泸州职业技术学院艺术系; |
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| 摘 要： | 中国画的变革究竞有没有底线?这条底线是什么?注重在绘画中经营诗的意象,笔墨技法营造意蕴相因相成不可分割,这是决定着中国画与西洋画的本质区别。中国画的审美价值体系以及技法体系也在极大程度上与其诗意化特征相关联。这应当是中国画的底线。因此,在美术专业的国画教学中,应该重视古典诗词和古代文论的教学,牢牢把握中国画的底线,设置相关的课程,彰显民族特色。
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| 关 键 词： | 中国画 底线 传统文化 意蕴营造 笔墨技法 |
The Bottom Line of Chinese Paintings |
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| Cai Bingyun.The Bottom Line of Chinese Paintings[J].Journal of Luzhou Vocational Technical College,2009(3). |
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| Authors: | Cai Bingyun |
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| Institution: | Humanities and Social Sciences Department;Luzhou Vocational Technical College;Luzhou;Sichuan;646005 |
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| Abstract: | Is there a bottom line in Chinese painting reform? What is the bottom line? In Chinese paintings poetic image establishment and mental image creation through brush-and-ink techniques are closely related which determine the differences between Chinese and western paintings.The aesthetic merit value system and technique system are highly associated with its poetic feature.This is the bottom line of Chinese paintings.Therefore,In the Chinese painting teaching in fine arts specialty,we should draw special atten... |
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| Keywords: | Chinese painting bottom line traditional culture mental image creation brush-and-ink technique |
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