| 论词调《满江红》在宋朝的创作流变 |
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| 引用本文： | 杨黎明.论词调《满江红》在宋朝的创作流变[J].内江师范学院学报,2010,25(7):79-82. |
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| 作者姓名： | 杨黎明 |
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| 作者单位： | 深圳大学文学院,广东,深圳,518060 |
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| 摘 要： | 《满江红》在宋词长调的使用率,仅次于《水调歌头》和《念奴娇》,居第三位。两宋的《满江红》创作主要表达清新绵邈的情感,其创作主题也经历了从一己悲欢到亡国之音、救国呼号的转变。在《满江红》词作中,寿词占了很大比例。
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| 关 键 词： | 《满江红》 宋朝 来源 |
On the Evolution of the Lyric Tone of Mangjianghong |
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| YANG Li-ming.On the Evolution of the Lyric Tone of Mangjianghong[J].Journal of Neijiang Teachers College,2010,25(7):79-82. |
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| Authors: | YANG Li-ming |
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| Institution: | YANG Li-ming(School of Literature,Shenzhen University,Shenzhen,Guangdong,518060,China) |
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| Abstract: | In the frequency of use of long tones in Song＇s lyrics,Manjianghong is next to only Shuidiao Getou and Niannujiao.The tone of Manjianghong is to express the fresh and lasting feelings in two Song Dynasties.Its creation topics underwent the transition from one＇s own joy and sorrow to the call for saving his motherland.Meanwhile,among the lyric creations with the tone of Manjianghong,those around birthday occupied a high percentage. |
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| Keywords: | Manjianghong Song Dynasty origin |
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