| “面短而艳”——张僧繇人物画面相模式探微 |
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| 引用本文： | 李静.“面短而艳”——张僧繇人物画面相模式探微[J].和田师范专科学校学报,2009,28(6):223-224. |
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| 作者姓名： | 李静 |
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| 作者单位： | 河西学院美术系,甘肃张掖,734000 |
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| 摘 要： | 南北朝晚期至隋唐初期的佛教石窟中，“秀骨清像”风格的造像却开始悄然隐退，张僧繇在进行绘画创作时，将佛教题材和技法进行创造性的运用和改造，创制形成了独具一格的“而短而艳”的“张家样”佛像。对后世的绘画艺术发展产生了深远的影响，也成为了艺术发展和艺术创新的重要样本。
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| 关 键 词： | 张僧繇 审美观念 世俗化 人物样式 技法 |
"Face short-yan"-Zhang Sengyao portrait Exploration of facial patterns |
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| Abstract: | Southern and Northern Dynasties to the Sui and Tang Dynasties Late early/3uddhist caves, the ＂bone-ching show like＂- style statues began to quietly retreat, Zhang Sengyao during painting, it will be the Buddhist themes and the use of creative techniques and transfonnation, create form stylized face ＂short-yah＂ and ＂Chang-like＂ statues, Painting of the later development of the arts had a profound influence on the arts has also become an important development, and artistic innovation samples. |
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| Keywords: | Zhang Sengyao aesthetic ideas secularization people style techniques |
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