| 武术套路是技击的艺术化 |
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| 引用本文： | 刘占鲁,苏长来.武术套路是技击的艺术化[J].体育学刊,2003,10(2):63-65. |
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| 作者姓名： | 刘占鲁 苏长来 |
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| 作者单位： | 天津理工学院体育部,天津,300191 |
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| 摘 要： | 探讨套路与技击的关系及套路的艺术特征，主要结论：套路与技击是同属于武术范畴，具有交叉关系的两个概念，攻防含义是它们的共同内容，但这两之间有着根本区别，技击以克敌制胜为主要目的，而套路以表现美为其最高追求，套路在素材的选择，动作创编，动作表现等方面都力求高度的艺术性，同时，套路动作也反映出其创编对攻防的感悟，不同时代，不同地区的武术套路有不同的风格。
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| 关 键 词： | 武术 套路 技击 |
| 文章编号： | 1006-7116(2003)02-0063-03 |
| 修稿时间： | 2002年9月11日 |
Artistic attack——Wushu Taolu |
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| LIU Zhan lu,SU Chang lai.Artistic attack——Wushu Taolu[J].Journal of Physical Education,2003,10(2):63-65. |
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| Authors: | LIU Zhan lu SU Chang lai |
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| Abstract: | Based on document study and logical analysis, this paper made a study of the relation between Taolu and Attack and so on.The main conclusion:Taolu and Attack are all belonged to the domain of WuShu,they connected each other,and attack and defend are their same characters;The aim of Attack is overcoming the enemy, but the person who play Taolu always look forward to getting the wonderful feeling; During the course of selecting material?establishing action and acting, Taolu always is given many art factors.At the same time, TaoLu reflects its authors' emotion about attack and defend, and different history stages and different authors gave Taolu different styles. |
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| Keywords: | WuShu Taolu attack |
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