| 论《周易》中蕴涵的艺术知觉元素——从“观物取象”到“感物道情”考察 |
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| 引用本文： | 刘建萍.论《周易》中蕴涵的艺术知觉元素——从“观物取象”到“感物道情”考察[J].三明高等专科学校学报,2007(3):283-286. |
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| 作者姓名： | 刘建萍 |
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| 作者单位： | [1]福建师范大学文学院,福建福州350007 |
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| 摘 要： | “观物取象”是《周易》的创作原则，它作为一种思维形式，贯穿于《周易》创作的全过程;“感物道情”是朱熹对《诗经》创作旨趣的概括，他认为《诗》既不是“史”，也不是“论”，而是“感物道情”。从“观物取象”到“感物道情”，我们或许可以发现《周易》中蕴涵的艺术知觉元素。
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| 关 键 词： | 周易 观物取象 感物道情 艺术知觉 |
The Artistic Aesthesia Elements in The Book of Changes from ＂watching for images＂ to ＂perceiving about affections＂ |
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| LIU Jian-ping.The Artistic Aesthesia Elements in The Book of Changes from ＂watching for images＂ to ＂perceiving about affections＂[J].Journal of Sanming College,2007(3):283-286. |
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| Authors: | LIU Jian-ping |
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| Institution: | LIU Jian-ping (Literature College ,Fujian Normal University,Fuzhou 350007, China) |
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| Abstract: | ＂watching for images＂ is the creation principle in The Book of Changes, which is permeating the whole creating process, as a form of thinking; while ＂perceiving about affections＂ is Zhu Xi＇s summary of creation purport, regarding The Book of Songs as neither history nor theory, but ＂perceiving about affections＂. From ＂watching for images＂ to ＂perceiving about affections＂, it is possible for us to discover the artistic aesthesia elements in The Book of Changes. |
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| Keywords: | The Book of Changes watcbing for images perceiving about affections artistic aesthesia |
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