| 论池大为形象塑造的湖湘文化背景 |
| |
| 引用本文： | 何滢.论池大为形象塑造的湖湘文化背景[J].湖南广播电视大学学报,2004(1):82-84. |
| |
| 作者姓名： | 何滢 |
| |
| 作者单位： | 湖南工程学院,湖南,湘潭,411101 |
| |
| 摘 要： | 《沧浪之水》成功地塑造了中国学史上的一个先做小人后做君子的全新形象——池大为。作家不仅同情、理解这个人物的人生选择，而且肯定和支持其所作所为。作家的态度源自面世、务实的湖湘化背景。但是即便湖湘化也不认可池大为最后烧书的举动。
|
| 关 键 词： | 《沧浪之水》 湖湘文化 |
| 文章编号： | 1009-5251(2004)01-082-02.5 |
On Hu-Xiang Cultural Backgroud Created by Chi Dawei Character |
| |
| HE Ying.On Hu-Xiang Cultural Backgroud Created by Chi Dawei Character[J].Joournal of Hunan Radio and Televistion University,2004(1):82-84. |
| |
| Authors: | HE Ying |
| |
| Abstract: | Canglangzhishui creates a new image in Chinese literature history--Chi Dawei,who was a villain,then becomes a gentleman.The writer not only sympathizes for and understand life choice of this character but supports his actions.The attitude comes from realistic and practical Hu-xiang culture background.But the last action that Chi Dawei fires books can't be considered as Hu-xiang culture. |
| |
| Keywords: | Canglangzhishui Hu-xiang culture |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
