| 圣母乎? 天主乎?——明清之际圣像画传播中的耶稣会士文化适应策略分析 |
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| 作者单位： | 四川大学历史文化学院 |
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| 摘 要： | 明清之际,圣像画开始大量传入中国。面对强势的中国文化,耶稣会士在客观现实的强迫下做出妥协,采取适应性策略,主动避开中国人难以接受的耶稣受难题材,而选择了在某种程度上与中国人相对亲近的圣母子像,以期提供一个天主教可被接受的"拟态环境"。
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| 关 键 词： | 适应性策略 圣母子像 耶稣受难像 拟态环境 |
Cultural Accommodation in the process of Christian Icon Spreading At the end of the Ming dynasty and the beginning of the Qing dynasty |
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| Authors: | Sun Shalan |
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| Abstract: | At the end of Ming dynasty and the beginning of Qing dynasty,icon began to spread in China.Facing with stern Chinese traditional civilization,missionaries had to comprise to show Chinese not crucifix but Madonna because for Chinese the former was inacceptable and the latter was relatively familiar. |
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| Keywords: | Accommodation Madonna Crucifix Pseudo-environment |
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