| 从启蒙到狂欢——改革开放30年的中国影像叙事 |
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| 引用本文： | 王小平.从启蒙到狂欢——改革开放30年的中国影像叙事[J].廊坊师范学院学报,2008,24(6). |
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| 作者姓名： | 王小平 |
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| 作者单位： | 四川省社会科学院文学研究所,四川成都,610064 |
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| 摘 要： | 改革开放30年来,中国电影走过了启蒙叙事、底层叙事、主流叙事、狂欢叙事的历程,并在新世纪形成了主流叙事与伦理叙事、底层叙事、狂欢叙事相结合的局面。它标志着艺术多元化、自由创造时代的到来。狂欢叙事的成熟和强势登场是文化娱乐化、商业化、欲望化的表征,它是现代性理性文化统治地位终结的结果,也是人的感性解放要求的结果。
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| 关 键 词： | 启蒙叙事 底层叙事 狂欢叙事 文化娱乐化 感性解放 |
From Enlightenment to Carnivalization The Three Decades' Film Narrative in China Since the Adoption of the Policy of Reform and Opening |
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| WANG Xiao-ping.From Enlightenment to Carnivalization The Three Decades' Film Narrative in China Since the Adoption of the Policy of Reform and Opening[J].Journal of Langfang Teachers College,2008,24(6). |
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| Authors: | WANG Xiao-ping |
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| Abstract: | For the three decades since the adoption of the policy of reform and opening,the narrative form of Chinese films has undergone such phases as the enlightening narrative,the lower-class narrative,the mainstream narrative and the carnival narrative.In the new century,there has witnessed an integration of the mainstream narrative,the ethic narrative,the lower-class narrative,and the carnival narrative,which is a mark of heterogeneous form of art and the arrival of an era of free creativity.The maturity and pop... |
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| Keywords: | enlightening narrative lower-class narrative carnival narrative recreational trend of culture liberation of emotion |
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