| 略论《诗经》的乐歌性质及其认识价值 |
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| 引用本文： | 赵敏俐.略论《诗经》的乐歌性质及其认识价值[J].陕西师范大学学报(哲学社会科学版),2004,33(1):55-59. |
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| 作者姓名： | 赵敏俐 |
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| 作者单位： | 首都师范大学,中国诗歌研究中心,北京,100037 |
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| 基金项目： | 国家社会科学基金项目(98BZW006) |
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| 摘 要： | 从周代礼乐文化建设的角度看《诗经》的乐歌性质,它首先是实用性的乐歌,在周代社会承担着多种实用功能,这是我们认识其思想内容的基础。同时《诗经》也是具有审美意义的乐歌,充分体现了周人在制礼作乐中自觉的艺术追求,而这一点,正是我们重新认识《诗经》艺术成就的取得和如何评价先秦诗歌发展水平的关键。
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| 关 键 词： | 《诗经》 制礼作乐 乐歌 审美 |
| 文章编号： | 1672-4283(2004)01-0055-05 |
| 修稿时间： | 2003年9月20日 |
A Concise Discussion on the Nature of Melodied Songs and the Value of Cognition of The Book of Songs |
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| ZHAO Min-li.A Concise Discussion on the Nature of Melodied Songs and the Value of Cognition of The Book of Songs[J].Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition),2004,33(1):55-59. |
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| Authors: | ZHAO Min-li |
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| Abstract: | In terms of ceremony and music construction in the Zhou Dynasty, the Book of Songs showed its musicality in such ways as records of practical songs and melodies and functions in the society of the Zhou Dynasty, which presents the basis for us to understand its ideology and content. In addition, the Book of Songs recorded ancient songs and melodies of aestheic value, expressing to the fullest degree the Zhou people's self-conscious pursuit of art in composing ceremonial melodies. This is the key point by which we can re-conceive artistic accomplishments of the Book of Songs and re-evaluate the level of development of the pre-Qin poetry. |
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| Keywords: | the Book of Songs Composition of ceremonial melodies song and melody aesthetics |
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