| 罪恶·悲剧·救赎--莫里亚克小说的文学史意义 |
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| 引用本文： | 李美丽.罪恶·悲剧·救赎--莫里亚克小说的文学史意义[J].安康学院学报,2004,16(1):69-72. |
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| 作者姓名： | 李美丽 |
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| 作者单位： | 苏州大学,文学院,江苏,苏州,215021 |
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| 摘 要： | 在现代主义思潮迭起的二十世纪,莫里亚克既坚持巴尔扎克、狄更斯等的现实主义创作传统,又融合了现代主义观念和宗教思想,以家庭为舞台展示了物欲横流、道德沦丧时代背景下人的罪恶,深入挖掘罪人们的精神世界,让他们在灵与肉、善与恶、沉沦与复活的痛苦挣扎中具有了悲剧精神并最终获得了宗教上的救赎.莫里亚克的创作既继承前人,又开拓创新,为西方二十世纪现实主义文学注入了新的生命力,同时也在西方文学史上具有了不可取代的价值和意义.
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| 关 键 词： | 莫里亚克 罪恶 悲剧 救赎 悲剧 救赎 莫里亚克 小说 文学史意义 Evil Significance Tragedy Literature History 价值和意义 西方文学史 生命力 注入 创新 创作传统 宗教思想 善与恶 灵与肉 精神世界 |
| 文章编号： | 1009-024X(2004)01-0069-04 |
| 修稿时间： | 2003年10月21日 |
Evil, Tragedy and Redemption--the Significance of Mauric,s Novel in the History of Literature |
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| LI Meili.Evil, Tragedy and Redemption--the Significance of Mauric,s Novel in the History of Literature[J].Journal of Ankang Teachers College,2004,16(1):69-72. |
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| Authors: | LI Meili |
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| Abstract: | Living in the history of the 20th century when modernist trend became popular, Maurice observed realistic writing style led by Balzac and Dickens, etc and kept modern notion and Christianity in harmony as well. Having settings in family, Maurice cast deeply into the sinners, minds and revealed the evils made by different persons who lived in the age when material was blindly pursued and moral was gradually lost .He endowed the characters with tragic experience through the bitter struggle of moral and evil, spirit and body, depravity and revival; but finally they were redeemed by Christ. By carrying on the tradition idea, and by creating his own style, Maurice poured a new vitality into the western realistic literature of the 20th century and thus won an irreplaceable position in the west. |
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| Keywords: | Maurice evil tragedy redemption |
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