| 清代词学中的辨体与尊体论 |
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| 引用本文： | 刘桂华.清代词学中的辨体与尊体论[J].南阳师范学院学报,2010,9(1):67-71. |
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| 作者姓名： | 刘桂华 |
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| 作者单位： | 湖北师范大学,文学院,湖北,黄石,435002 |
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| 基金项目： | 湖北省教育厅、湖北师范大学科研项目成果 |
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| 摘 要： | 辨体与尊体是清代词学中的重要论题。辨体，就是辨析界定词体特征；尊体，就是推尊词体，获得与诗文并尊的地位。清代词学，辨体与尊体交错进行，辨体与尊体贯穿始终。在不断辨体、尊体的过程中．词体特征得到彰显，词体地位获得提升．创作走向繁荣。
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| 关 键 词： | 清代词学 辨体 尊体 |
On the Theory of Bian Style(辨体)and Zun Style(尊体)in the Ci-poetry Study of the Qing Dynasty |
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| LIU Gui-hua.On the Theory of Bian Style(辨体)and Zun Style(尊体)in the Ci-poetry Study of the Qing Dynasty[J].Journal of Nanyang Teachers College,2010,9(1):67-71. |
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| Authors: | LIU Gui-hua |
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| Institution: | Department of Chinese/a>;Hubei Normal University/a>;Huangshi/a>;Hubei 435002/a>;China |
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| Abstract: | Bian Style （辨体） and Zun Style （尊体） are two important themes in the Ci-poetry studies of the Qing Dynasty. Bian Style （辨体） refers to the discrimination and defining of the stylistic features of Ci. Zun Style （尊体） means esteeming the style of Ci-poetry and making it no less important than the content of Ci-poetry. In the Ci-poetry of the Qing Dynasty, Bian Style （辨体 ） and Zun Style （尊体 ） are interlaced with one another, permeating the Ci-poetry from beginning to end, In the process of the constant applications of Bian Style （辨体） and Zun Style （尊体）, the stylistics of Ci-poetry was stressed and the status of Ci-poetry was uplifted, which brought about the prosperity in the creation of Ci-poetry. |
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| Keywords: | Ci-poetry in the Qing Dynasty Bian Stye Zun Style |
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