首页 | 本学科首页   官方微博 | 高级检索  
     检索      

《水浒传》所见的曲唱述论
引用本文:张本一.《水浒传》所见的曲唱述论[J].信阳师范学院学报(哲学社会科学版),2006,26(2):104-108.
作者姓名:张本一
作者单位:信阳师范学院,文学院,河南,信阳,464000
基金项目:河南省哲学社会科学规划项目;河南省高校青年骨干教师资助项目
摘    要:成书于元末明初的长篇白话小说《水浒传》中有多处涉及到了宋元时期的市井民间曲唱,形式包括诸官调、货郎儿、耍令、小曲、慢唱等。这几种曲唱形式在北曲乃至元杂剧形成的过程中发挥了重要的艺术功用。

关 键 词:宋元时期  俗曲  艺术形态
文章编号:1003-0964(2006)02-0104-05
收稿时间:09 5 2005 12:00AM
修稿时间:2005年9月5日

A Rambling Talk about the Various Types of Songs in The Outlaws of the Marsh
ZHANG Ben-yi.A Rambling Talk about the Various Types of Songs in The Outlaws of the Marsh[J].Journal of Xinyang Teachers College(Philosophy and Social Sciences Edition),2006,26(2):104-108.
Authors:ZHANG Ben-yi
Institution:School of Liberal Arts, Xinyang Normal University, Xinyang 464000, China
Abstract:The famous long novel The Outlaws of the Marsh, which was written in oral Chinese during the end of Yuan Dynasty and the beginning of Ming Dynasty, contains some folk songs which were very popular in both cities and rural areas during Song and Yuan Dynasty, such as Zhu Gong Tune, the Songs of the Peddlers, Joking songs, Cut-down songs, Long poems etc. These songs had played important artistic roles in the process of the formation of songs in north China and dramas in Yuan Dynasty.
Keywords:Song and Yuan Dynasty  pop song  artistic style
本文献已被 CNKI 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号