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南阳汉画像石的龙形象解析
引用本文:陈家馨.南阳汉画像石的龙形象解析[J].南阳师范学院学报,2006,5(11):92-94.
作者姓名:陈家馨
作者单位:杭州师范学院,美术系,浙江,杭州,310036
摘    要:“龙”的形象产生由来已久,追溯上古时期已可见其雏形。在汉代,“龙”的形象已作为汉画像砖石墓中不可或缺的题材。南阳地区的汉画像石“龙”形象题材丰富,造型灵动。作者从其产生的社会背景、外部形态的分类等方面做了综合的考证,使用图像学和符号学的方法,总结出该地区“龙”形象独特的艺术特征。

关 键 词:汉画像石  龙的造型  图像意义  文化渊源
文章编号:1671-6132(2006)11-0092-03
收稿时间:12 8 2005 12:00AM
修稿时间:2005年12月8日

Probe into the Dragon Images of Han-stone Carvings in Nanyang
CHEN Jia-xin.Probe into the Dragon Images of Han-stone Carvings in Nanyang[J].Journal of Nanyang Teachers College,2006,5(11):92-94.
Authors:CHEN Jia-xin
Institution:Department of Fine Arts, Hangzhou Normal University, Hangzhou, Zhejiang 310036, China
Abstract:Dragon images that have been widely used in Chinese tradional art could be traced back to pre-historical period.In Han-dynasty,the dragon images were considered as an indispensiable content in stone carvings.Especially in Nanyang region where there are plenty of Han-stone carvings on which unearthed dragon images are found.The dragon images are known for its vivid modelling and various themes.This paper uses icono- graphical methods to sum up the unique characteristics of dragon images in Nanyang stone carvings on the basis of their cultural origin and social background.
Keywords:Han-stone carvings  dragon images  image significance  cultural origin
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