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南渡诗人周紫芝诗风探析
引用本文:徐海梅.南渡诗人周紫芝诗风探析[J].淮南师范学院学报,2013,15(1):53-56.
作者姓名:徐海梅
作者单位:湖北民族学院预科教育学院,湖北恩施,445000
摘    要:周紫芝的诗在南渡诗坛别立小宗。他的《竹坡诗话》探讨了前哲诗人的创作经验和创作规律,既喜谈格律与句法,又推崇清新自然的诗歌风格,他清醒地看到江西诗派后学偏重于形式技巧的弊病,也一针见血地揭示了北宋中后期诗坛上偏于从形式上学陶渊明平淡之风的片面性。对于诗坛之俗弊可谓摆落世故,取教前修而覃思独往,提出自然与雕饰高度统一的诗学主张。所以他反对机械的模拟之风和浅俗的平淡之论,倡导境真语新、文质并重的作诗宗旨;并且提出力求锤炼之极而造平淡的诗风,以“熔化”之功作为达到这一审美宗旨的途径。

关 键 词:周紫芝  南渡诗人  诗风

The style of southern migration poet Zhou Zizhi
XU Hai-mei.The style of southern migration poet Zhou Zizhi[J].Journal of Huainan Teachers College,2013,15(1):53-56.
Authors:XU Hai-mei
Abstract:Zhou Zizhi' poems in the North Song Dynasty and South establish a small poetry. His poetics of Zhupo have sum up the prepoet's experience and creation rule, fomed his own style of poetry. He corrected the poets of Jiangxi school' focusing on writing technique, and also reveals the pierce to the heart of the matter in the late poetry tends to form Tao Yuanming but superficial imitation. He opposed the mechanical simulation wind and shallow light theory, advocated the new habitat , both poetry and puts forward to the purpose; temper and made plain style, formed his own unique poetics.
Keywords:southern migration poet  Zhou Zizhi  poem style
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