| 飞翔与姓名：《所罗门之歌》两大主题的交错 |
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| 引用本文： | 白杨.飞翔与姓名：《所罗门之歌》两大主题的交错[J].四川教育学院学报,2010,26(5):79-82. |
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| 作者姓名： | 白杨 |
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| 作者单位： | 西北大学,文学院,西安,710127 |
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| 摘 要： | 在小说《所罗门之歌》富有生命力的语言之中,飞翔的神话与姓名流变的历史相互交错,共同谱写了迷人的所罗门之歌。莫里森描绘的显隐两个主要人物形成了对比和映照,奶娃是民族成长过程中走过曲折道路并最终走向回归的代表性形象,而派拉特则是精神上坚持黑人想象、自然和大爱传统的内在性力量。
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| 关 键 词： | 飞翔 姓名 交错 传统 《所罗门之歌》 |
Soar and Names: The Cross of Two Major Themes in Song of Solomon |
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| BAI Yang.Soar and Names: The Cross of Two Major Themes in Song of Solomon[J].Journal of Sichuan College of Education,2010,26(5):79-82. |
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| Authors: | BAI Yang |
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| Institution: | BAI Yang(School of Literature,Northwest university,Xi＇an 710127,China) |
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| Abstract: | The myth of soar and the rheological history of names cross with each other and compose a fascinating Song of Solomon in the language full of vitality in the novel Song of Solomon.A remarkable contrast forms in the two main characters described by Toni Morrison.Milkman is a representative image of traversing a tortuous road and eventually walking towards the return in the national process of growing up,while Pilate is an inner force upholding the spirit of the Blacks' imagination,nature and tradition of gre... |
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| Keywords: | soar names cross tradition Song of Solomon |
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