| 电影蒙太奇与诗词意境 |
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| 引用本文： | 黄柏青.电影蒙太奇与诗词意境[J].湘潭师范学院学报(社会科学版),2001,23(4):75-79. |
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| 作者姓名： | 黄柏青 |
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| 作者单位： | 湘潭师范学院中文系, |
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| 摘 要： | 作为电影艺术特有表现手段的蒙太奇与中国古典诗词意境的营造有许多相似性；都要创造具有鲜明的感官性、再现性、此岸性的“象”（镜头或意象）；都要通过“象”与“象”的联接组合以传达出原来单个的“象”所没有的新意-“象”外之象。都要通过“象”与“象”的联接组合手段等等。但它们在同中又有异，对它们进行交叉研究有利于促进电影和诗歌创作的繁荣和发展。
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| 关 键 词： | 电影蒙太奇 诗词意境 相似性 “象“ 感官性 再现性 电影艺术 |
| 文章编号： | 1009-4482(2001)04-0075-05 |
| 修稿时间： | 2000年12月22 |
Montage and Poetry Mood |
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| HUANG Bai-Qing.Montage and Poetry Mood[J].Journal of Xiangtan Normal University(Social Science Edition),2001,23(4):75-79. |
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| Authors: | HUANG Bai-Qing |
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| Abstract: | There are many similarities between montage,a special technigue of expression in film art, and poetry mood .Both seek to reproduce “image"(shots or scences) which are vivid and perceptible in the world, conveying a new conception through the world and a new conception through the composition of primary images,i.e. image beyond the world". Both share same means of composition .However ,they also possess dissimilarities because each belongs to a different art category. This is significant for us to carry out cross research into them for film and poetry creation. |
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| Keywords: | film montage poetry mood similarity dissimilarity |
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