| 从"慕色还魂"到"生死以情"——论杜丽娘形象的发展 |
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| 引用本文： | 姜婷婷.从"慕色还魂"到"生死以情"——论杜丽娘形象的发展[J].德州学院学报,2010,26(1):20-23. |
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| 作者姓名： | 姜婷婷 |
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| 作者单位： | 安徽师范大学文学院,安徽芜湖,241003 |
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| 摘 要： | 汤显祖的《牡丹亭》是明代剧坛首屈一指的巨作，它是以明代话本小说《杜丽娘慕色还魂》为蓝本的，杜丽娘是故事的主角，对杜丽娘形象的刻画关系到剧作的命运。汤显祖以发展的眼光关注杜丽娘的情感发展历程，并以点石成金的大手笔使杜丽娘的性格鲜活丰满起来。总之，《牡丹亭》中杜丽娘形象的再塑造使得剧作的思想性和艺术性提升到了话本不可食及的新高度。
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| 关 键 词： | 《牡丹亭》 《杜丽娘慕色还魂》 杜丽娘 形象 |
From" Coming Back to Life for Admiring Desire" to" Life and Death With Affection" |
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| JIANG Ting-ting.From" Coming Back to Life for Admiring Desire" to" Life and Death With Affection"[J].Journal of Dezhou University,2010,26(1):20-23. |
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| Authors: | JIANG Ting-ting |
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| Institution: | College of Liberal Arts of Anhui Normal University;Wuhu Anhui 241003;China |
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| Abstract: | Tang Xianzu's Peony Pavilion is leading the Ming Dynasty Plays for Giant,which has a blueprint,the Ming Dynasty novel Du Liniang Admires Desire to Come Back to Life.It provides the basic plot.Du Liniang is the protagonist of the story,to portray the image of the relationship between Du Liniang to the play's fate.Tang Xianzu concerns the emotional development process of her body with the perspective of development,and to spin gold from straw and exotic,so that her body plump up the character live.In short,th... |
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| Keywords: | Peony Pavilion Du Liniang Admires Desire to Come Back to Life Du Liniang image |
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