| 回归笔墨本体的创造 |
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| 引用本文： | 房俊焘.回归笔墨本体的创造[J].济宁师范专科学校学报,2007,28(2):47-50. |
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| 作者姓名： | 房俊焘 |
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| 作者单位： | 济宁学院美术系 山东曲阜273165 |
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| 摘 要： | 笔墨,作为写意画的核心语言系统,具有丰富的文化内涵和优异的品质特征.书写性笔墨具有鲜明的现代感.虽然传统积淀丰厚,但仍有很大开发空间.发展中国画一定要坚守并努力强化笔墨语系,力除传统文人画审美观念僵化,趣味陈旧,境界颓糜之弊.
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| 关 键 词： | 笔墨语系 核心价值 书写性 坚守 发展 回归 笔墨 本体 创造 Painting Techniques Creation 境界 审美观念 传统文人画 语系 强化 中国画 发展 开发空间 传统积淀 现代感 书写性 品质特征 文化内涵 |
| 文章编号： | 1004-1877（2007）02-0047-04 |
| 修稿时间： | 2007-02-16 |
Back to the Creation of the Techniques of Brush-and-Ink Painting in Themselves |
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| FANG Juntao.Back to the Creation of the Techniques of Brush-and-Ink Painting in Themselves[J].Journal of Jining Teachers College,2007,28(2):47-50. |
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| Authors: | FANG Juntao |
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| Institution: | Department of Fine Arts, .lining College, Qufu, Shandong |
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| Abstract: | As the key(language) system of expressive technique of freehand brushwork in traditional Chinese painting,the technique of brush-and-ink painting is rich in cultural connotation and has outstanding characteristics of best quality.The writing technique of brush-and-ink painting has a strong feeling of modernity.Rich as it is in traditional sediment,there is still much room for exploitation.To develop Chinese painting,we must stick to and strengthen the language system of the technique of brush-and-ink painting,and get rid of the drawbacks of the ossified aesthetic standards of the paintings of the literati,the outmoded tastes,and the downcast painting state. |
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| Keywords: | language system technique of brush-and-ink painting key value development |
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