| 简论中国水墨人物画中造型观念的发展与变化 |
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| 引用本文： | 吴柯.简论中国水墨人物画中造型观念的发展与变化[J].商丘职业技术学院学报,2009,8(4):95-96. |
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| 作者姓名： | 吴柯 |
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| 作者单位： | 安阳师范学院美术学院,河南安阳,455002 |
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| 摘 要： | 中国水墨画在中国绘画史上是一种非常具有代表性的画种。关于对造型的认识,水墨写意人物画一直在不断地完善和发展。随着西方绘画的引进,中国绘画在绘画造型观念上产生改变,西方绘画的造型艺术与中国绘画造型方法相融合,丰富了中国画的画面效果。这种造型观念的改变,使中国画坛上出现了不同的绘画风格。水墨人物画在继承传统的基础上吸收西方绘画艺术的优秀成分,能得到了更好的发展。
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| 关 键 词： | 水墨人物 造型观念 发展 演变 影响 |
Development and Changing Process of the Sculptuing Concept in Chinese Inkwash Portraiture |
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| WU Ke.Development and Changing Process of the Sculptuing Concept in Chinese Inkwash Portraiture[J].Journal of Shangqiu Vocational and Technical College,2009,8(4):95-96. |
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| Authors: | WU Ke |
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| Institution: | WU Ke(Art School,Anyang Normal College,Anyang 455000,China) |
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| Abstract: | Freehand inkwash painting in traditional Chinese painting is a kind of cross-sectional painting in the history of Chinese painting.On the view of sculptuing,freehand inkwash painting has been making progress continuously.Along with the indraught of western painting,change has taken place on the scluptuing of Chinese painting.The art of western painting sculptuing and Chinese painting sculptuing combined together,enriched the effectiveness of Chinese painting.This change made many different styles of painting appeared in Chinese art circle.With the development of our society,it is believed that inkwash portraiture,on the basic of inheriting good tradition,will absorb the advantages of western painting and make a greater improvement. |
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| Keywords: | inkwash portraiture concept of sculptuing development evolvement effect |
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