| 从节奏和押韵看戏曲唱词的语言特点 |
| |
| 引用本文： | 赵安民.从节奏和押韵看戏曲唱词的语言特点[J].商丘职业技术学院学报,2004,3(4):39-40. |
| |
| 作者姓名： | 赵安民 |
| |
| 作者单位： | 商丘师范学院,河南,商丘,476000 |
| |
| 摘 要： | 戏曲唱词是一种特殊的韵文形式,它除了具备一般韵文的主要特点外,它在节奏、韵脚等方面还有着自己的规律。在语句字数上,除了常用的五字句、七字句外,六字句、八字句、九字句、十字句等也常入戏;在顿歇格式上,它突破了“三字尾”的局限,常以“四字尾”结句;在韵脚上,它用韵宽泛、灵活,经常在同一唱段中跨辙转韵。
|
| 关 键 词： | 戏曲 唱词 语言 节奏 押韵 韵文 |
| 文章编号： | 1671-8127(2004)04-0039-02 |
| 修稿时间： | 2004年1月18日 |
A Study of the Language Features of Chinese Opera Librettos in Respects of Rhythms and Rhymes |
| |
| ZHAO,An-min.A Study of the Language Features of Chinese Opera Librettos in Respects of Rhythms and Rhymes[J].Journal of Shangqiu Vocational and Technical College,2004,3(4):39-40. |
| |
| Authors: | ZHAO An-min |
| |
| Abstract: | Chinese Opera Librettos is a special form of verses.Besides the features of common verses,it has its own rules in rhythms and rhythms.In addition of the five-character and seven-character sentences,there are also six-character,eigft-character,nine-character and ten-character sentences in the Chinese opera librettos.In rhythms,it breaks the limit of "three-character ending,"and is often ended in "foue characters sentence." It is lenient and flexible in rhymes,and very often it may change the rhymes in the middle of an aria. |
| |
| Keywords: | Chinese opera librettos verse rhythm rhyme pause |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
