| 审美历史维度的乡土美学探讨 |
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| 引用本文： | 张惠.审美历史维度的乡土美学探讨[J].柳州师专学报,2011,26(2):8-10. |
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| 作者姓名： | 张惠 |
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| 作者单位： | 吉首大学文学院,湖南吉首,416000 |
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| 摘 要： | 审美历史维度的乡土美学并非古典美学——现代美学——后现代美学三大美学形态在时间上的延续和继承,而是中国现代性背景下的美学体系的重建,是在三种美学形态交织下的知识分子立场的批判乡土、知识分子立场的诗性乡土和农民立场的现实乡土,这三个维度,是乡土美学历史意义上的审美选择。
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| 关 键 词： | 乡土美学 历史维度 批判乡土 诗性乡土 现实乡土 |
On Native Aesthetics of Aesthetic Historical Dimension |
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| ZHANG Hui.On Native Aesthetics of Aesthetic Historical Dimension[J].Journal of Liuzhou Teachers College,2011,26(2):8-10. |
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| Authors: | ZHANG Hui |
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| Institution: | ZHANG Hui(School of Literature,Jishou university,Jishou,Hunan,416000 China) |
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| Abstract: | The native aesthetics of aesthetic historical dimension is not the continuation and inheritance of classical aesthetics,modern aesthetics and postmodern aesthetics,but is the reconstruction of aesthetics system under the background of Chinese modernity from three species aesthetics forms of the critical vernacular and poetic vernacular of intellectuals,and the actual vernacular of farmers,from which this three dimensions are the aesthetic selections in the historical significance of native aesthetics. |
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| Keywords: | native aesthetics historical dimension critical vernacular poetic vernacular actual vernacular |
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