| 论《橡皮灵魂》的独特叙述视角 |
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| 引用本文： | 王咏梅.论《橡皮灵魂》的独特叙述视角[J].廊坊师范学院学报,2005,21(3):33-35,40. |
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| 作者姓名： | 王咏梅 |
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| 作者单位： | 廊坊师范学院,中文系,河北,廊坊,065000 |
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| 摘 要： | 台湾当代作家陈瑶华的短篇小说《橡皮灵魂》,在叙事技巧上颇具匠心,创造性地运用了有机统一的双重视角,即第一人称主人公（“经验自我”）视角和第一人称见证人（“叙述自我”）视角的有机融合。在这两种叙述视角下,都存在着作为叙述者的“我”与确指的“你”（作为主人公的“经验自我”）以及与泛指的“你”（听叙者即读者）之间的双重对话关系。小说中的双重视角还能够自由地转换。独特的双重叙述视角的有机统一与自由转换,不仅在艺术技巧层面上具有独立的审美价值,而且在文本意义的层面上使主人公的形象蕴涵、故事事件的深刻意蕴得到了有力的彰显。
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| 关 键 词： | 双重视角 第一人称主人公叙述 第一人称见证人叙述 经验自我 叙述自我 双重对话 |
| 文章编号： | 1671-1416（2005）03-0033-04 |
| 收稿时间： | 2005-03-24 |
| 修稿时间： | 2005年3月24日 |
On the Unique Narrative Viewpoint in "The Rubber Soul" |
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| WANG Yong-mei.On the Unique Narrative Viewpoint in "The Rubber Soul"[J].Journal of Langfang Teachers College,2005,21(3):33-35,40. |
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| Authors: | WANG Yong-mei |
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| Abstract: | The narrative viewpoint in "The Rubber Soul" (a short story by Chen Yao-hua, a contemporary Taiwan writer) is unique by applying the double viewpoints, which can be explained as the flexible combination of the first person ("experiencing ego") and the first witness ("narrating ego"). Under the two viewpoints, there is the double-dialogue relationship between "I" as a narrator and a definitely referred "you" (as the protagonist) as well as a relationship between "I" and a generally referred "you"(the listener, ie.the reader). Meanwhile, the double viewpoints can transfer to each other. The flexible combination of the unique double viewpoints and free transition not only provides the aesthetic value in the skill but also forcefully shows the meaning of the protagonist and the deep meaning of the incidents in the story. |
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| Keywords: | double viewpoints the first person narration the first witness narration experiencing ego narrating ego double dialogues |
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