| 唐代歌诗创作对诗人风格形成作用的理论分析 |
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| 引用本文： | 吴相洲,冯淑华.唐代歌诗创作对诗人风格形成作用的理论分析[J].大连大学学报,2003,24(3):59-61. |
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| 作者姓名： | 吴相洲 冯淑华 |
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| 作者单位： | 首都师范大学,北京,100089 |
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| 摘 要： | 唐诗创作一直与歌诗传唱保持着密切的关系,歌诗创作从审美观念、主题、题材、体裁、语言等方面对诗人的创作提出了要求,而诗人为了适应这些要求而进行的创作自然会影响到其风格的形成。本文就是对这一关系所作的分析,以期为人们从音乐角度来考察唐诗提供一些参考。
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| 关 键 词： | 歌诗 传唱 音乐 风格 |
| 文章编号： | 1008-2395(2003)03-0059-03 |
| 修稿时间： | 2003年2月28日 |
Theory Analysis on the Effect of Poet Style Shape in Sing Poetry Writing of Tang dynasty |
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| WU Xiang-zhou,FENG Shu-hua.Theory Analysis on the Effect of Poet Style Shape in Sing Poetry Writing of Tang dynasty[J].Journal of Dalian University,2003,24(3):59-61. |
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| Authors: | WU Xiang-zhou FENG Shu-hua |
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| Abstract: | Tang poetry ties up with singing poetry all along. Singing poetry makes request for poet's aesthetic standards?theme?subject matter?types of literature?language and so on. For the sake of adapting themself to these requests, their works style must come under the influence of it. This article analyzes the relationship in order to offer some reference to study tang poetry from the view of music. |
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| Keywords: | singing poetry spread music style |
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