| 顾恺之与中国山水画的萌芽 |
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| 引用本文： | 王恪松.顾恺之与中国山水画的萌芽[J].周口师范学院学报,2001,18(4):85-87. |
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| 作者姓名： | 王恪松 |
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| 作者单位： | 河南教育学院艺术教研室 |
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| 摘 要： | 先秦两汉绘、刻艺术孕育着的自然山水因子,从以人物为主的背景和陪衬中剥离出来,进而形成为独立的山水画,这一过程大致经历了山水题材与其它绘画题材的分离,分离之后的初创以及初创后的独立发展等程序.而顾恺之则是这一过程中里程碑式的人物.
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| 关 键 词： | 顾恺之 中国山水画 绘画题材 |
| 文章编号： | 1008-6730(2001)04-0085-03 |
| 修稿时间： | 2000年2月16日 |
Seperaiton of Landscape Painting and Gu Kaizhi |
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| WANG Ke,song.Seperaiton of Landscape Painting and Gu Kaizhi[J].Journal of Zhoukou Normal University,2001,18(4):85-87. |
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| Authors: | WANG Ke song |
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| Abstract: | The natural factors of mountains and waters breading in the art of drawing and engraving in the Early Qin and Double Han Dynasties,Came off from character-dominance background and foil,and then formed into the independent landscape painting.This process roughly saw the sepreation of mountains and watres materials from other painting matrials.The initiative after such seperation and then the independent development.And Gu Kaizhi is the milestone artist of the course. |
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| Keywords: | Gu Kai zhi Iandscape painting painting theme |
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