| 李清照咏梅词的审美特色 |
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| 引用本文： | 李亦辉.李清照咏梅词的审美特色[J].南阳师范学院学报,2003,2(7):70-75. |
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| 作者姓名： | 李亦辉 |
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| 作者单位： | 哈尔滨师范大学中文系,黑龙江,哈尔滨,150080 |
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| 摘 要： | 李清照现存六首咏梅词，富于“审美张力”是这六首咏梅词共同的审美特色，这一审美特色具体表现于写境抒情、艺术风格和词意结构等三个方面；通过探讨李清照咏梅词的“审美张力”在这三个方面的具体表现，可以见出无论是李清照早期还是南渡后的咏梅词中，梅花与词人，梅品与人品，梅心与词心，都有惊人的同构性。
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| 关 键 词： | 李清照 咏梅词 审美特点 文学创作 梅花 人品 |
| 文章编号： | 1671-6132(2003)07-0070-06 |
| 修稿时间： | 2003年3月31日 |
On the Aesthetic Feature of LI Qing-zhao's Ci Poetry About Winter Sweet |
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| LI Yi - hui.On the Aesthetic Feature of LI Qing-zhao''s Ci Poetry About Winter Sweet[J].Journal of Nanyang Teachers College,2003,2(7):70-75. |
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| Authors: | LI Yi - hui |
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| Abstract: | There are six Ci poetry about winter sweet in the extant works of Li Qingzhao. The aesthetic tension is their common aesthetic feature , which embodies in three aspects as follows: expression of emotion, artistic style and structure of Ci poetry. Through the research, we can find the similarities between the quality of winter sweet and the character of the writer not only in her early works but also in her later works. |
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| Keywords: | Li Qingzhao Ci poetry about winter sweet aesthetic tension writting mentality |
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