| 20世纪中国现代主义文学的历史反思 |
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| 引用本文： | 吕周聚.20世纪中国现代主义文学的历史反思[J].首都师范大学学报(社会科学版),2002,1(3):1-12. |
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| 作者姓名： | 吕周聚 |
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| 作者单位： | 山东师范大学,文学院,山东,济南,250014 |
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| 摘 要： | 中国现代主义文学以一种异端的姿态出现于20世纪的中国文坛上，在发展过程中表现出与实现主义、浪漫主义文学不同的个性特征。它通过内部的不断转型来实现自身的范式重建，表现出一种新的发展模式；它勇于突破各种禁区大胆地表现自己的思想观点，对生命的体验与赞颂、对世纪病的嗜恋与咏唱以及对恶的审视与展现构成了中国现代主义文学的基本创作母题；它追求陌生化和个性化的表演，确立了颓废唯美、荒诞神秘、象征朦胧的美学风格。
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| 关 键 词： | 现代主义 历史转型 创作母题 美学风格 |
| 文章编号： | 1004-9142(2002)03-0001-12 |
Reviewing Chinese Modernism Literature in the 20th Century |
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| Abstract: | Chinese modernism literature appears to be on at the Chinese literary world in the 20th century with one posture of heterodoxy. It demonstrates the individual character different from realism, romantic literature in the course of developing. It realizes its own criterion rebuild through inside constant transition, demonstrates a kind of new development model; it dares to top various kinds of forbidden zone and projects one's own thought view boldly. The basic writing topic of Chinese modernism literature is composed of the experience and eulogy of life, the liking and chanting for century disease, the scanning and exhibiting of evil; it pursues strange and individualized performance, establishes the decadent and aesthetic, fantastic and mysterious dim style. |
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| Keywords: | Modernism Transition of History Writing topic Aesthetic Style |
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