| 论古典诗词中的“月亮”意象 |
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| 引用本文： | 梁文娟.论古典诗词中的“月亮”意象[J].培训与研究,2008,25(1):27-28. |
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| 作者姓名： | 梁文娟 |
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| 作者单位： | 河南大学文学院,河南开封475001 |
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| 摘 要： | 月亮，是古典诗词中重要的审美意象，“月亮”意象在古代文学作品中频繁出现，并具有爱情、乡情、缺憾、永恒等审美意蕴。在反复使用和沿袭不袁的过程中，文人们用情感的链条，将它与其他意象组合，形成了丰富多彩的复合意象群，用来烘染氛围，营造意境，表达了不同的抒情主题。
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| 关 键 词： | 意象 月亮 原型 意境 |
Discussion on the Moon Image in Chinese Classical Poetry |
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| LIANG Wen-juan.Discussion on the Moon Image in Chinese Classical Poetry[J].Training and Research-Journal of Hubei College of Education,2008,25(1):27-28. |
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| Authors: | LIANG Wen-juan |
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| Institution: | LIANG Wen-juan (College of Chinese Language and Literature, Henan University, Kaifeng Henan 475001,China) |
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| Abstract: | The Moon is the important aesthetic image in the classical poetry. The Moon had been used time and time again in the old literary works and gradually given the deep meaning, such as love, hometown atmosphere and perpetuity, etc. For the repeated use and being passed down, the image is tied to the others through the emotion by the poets, forming the complex and colorful image group, in order to exaggerate the atmosphere, creat the beautiful mood and express various themes. |
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| Keywords: | image the Moon prototype mood |
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