|
|||||
|
|
| 形神简论 | |
| 作者单位： | 无锡南洋职业技术学院数字艺术系 江苏无锡214081 |
| 摘 要： | 本文从晋顾恺之的画论上溯到上古时期,得出结论,上古时期的绘画是以"象形"为目标,而魏晋"以形写神"是在其基础上的延续和提高,而宋元以后"离形得似"的形神关系是在顾恺之传神论基础上的完善和发展。 |
| 关 键 词： | 象形 传神 以形写神 以神写形 离形得似 |
On the Unification of Form and Spirit |
|
| Authors: | WANG Zhao-xiong |
| Abstract: | This article traces back to ancient times from the painting theory of Gu Kaizhi of Jin Dynasty,and concludes that paintings in ancient times pursued imitating forms,while those in Wei and Jin went further on "representing spirit in form".After the Song Dynasty,the theory on form and spirit"the form departing from the outward appearance of the object"got developed and perfected,deriving from Gu Kaizhi's "spirit-giving" theory. |
| Keywords: | imitating form spirit giving represent spirit in form describe form spiritually the form departing from the outward appearance of the object |
| 本文献已被 CNKI 等数据库收录！ | |