| 中国工笔画精神理念与继承发展 |
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| 引用本文： | 段.中国工笔画精神理念与继承发展[J].甘肃高师学报,2004,9(6):87-89. |
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| 作者姓名： | 段 |
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| 作者单位： | 兰州师范高等专科学校,甘肃兰州,730000 |
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| 摘 要： | 中国工笔画历史悠久。从战国到隋唐、五代至两宋 ,这一时期工笔画从幼稚走向成熟。元代以后 ,逐渐走向衰落。到 2 0世纪 80年代 ,现代工笔画复兴 ,这也是中国画发展的一种必然。工笔画以开放的包容性向其他艺术门类借鉴、吸收 ,以充实自身的艺术魅力。其形式语言多样性呈现出前所未有的繁荣景象 ,我们在多样化的形式和个性化探索的同时 ,应该强化内在的民族文化精神与时代精神 ,应该对传统精神理念进行有效的把握和继承 ,使之与现代题材及现代精神理念相结合 ,创作出有东方意蕴的现代作品。
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| 关 键 词： | 造型观念 线 意象 十八描 意蕴 |
| 文章编号： | 1008-9020(2004)06-087-03 |
| 修稿时间： | 2004年5月31日 |
The Spiritual Concept of Chinese Gong Bi Paintings |
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| Duan Wei.The Spiritual Concept of Chinese Gong Bi Paintings[J].Journal of Gansu Normal College,2004,9(6):87-89. |
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| Authors: | Duan Wei |
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| Abstract: | Chinese Gong Bi Paintings had a very long history. But after the Song Dynasty it became mature. It declined after the Yuan Dynasty.It was not until the 1980s that modern Gong Bi paintings thrived. It made itself strengthened by absorbing other kinds of arts, showing its variety and prosperity. In the modern age, we should stress on national culture and spirit, make use of the traditional spiritual concept to develop modern spiritual concept in the creation of Gong Bi Paintings. |
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| Keywords: | shaping concept line image implication |
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