| 试论中国画的抽象与中庸 |
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| 引用本文： | 徐军.试论中国画的抽象与中庸[J].苏州市职业大学学报,2004,15(1):79-81. |
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| 作者姓名： | 徐军 |
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| 作者单位： | 苏州广播电视大学,江苏,苏州,215004 |
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| 摘 要： | 本文主要论述了在中国特有的“中庸”之道的哲学思想影响下的中国画。它能融合其他外来文化艺术的优 点,确立区别于其他画种的绘画抽象性的特点,中和艺术思想和行为上的极端性。
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| 关 键 词： | 中国画 中庸之道 融合 抽象性 |
| 文章编号： | 1008-5475(2004)01-0079-03 |
| 修稿时间： | 2003年10月10 |
Discussion about the Abstract and the Doctrine of the Mean of the Traditional Chinese Painting |
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| XU Jun.Discussion about the Abstract and the Doctrine of the Mean of the Traditional Chinese Painting[J].Journal of Suzhou Vocational University,2004,15(1):79-81. |
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| Authors: | XU Jun |
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| Abstract: | It was discussed the traditional Chinese painting affected by the philosophy idea of the Doctrine of the Mean in China in this paper.It can absorb the strong points of other foreign culture,establish the characteristic of painting abstract discriminated with other kinds of paintings,and neutralized the extremes on art idea and action. |
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| Keywords: | traditional Chinese painting the Doctrine of the Mean absorb abstract |
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