| 论胡金铨武侠电影的超越性 |
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| 引用本文： | 吴迎君.论胡金铨武侠电影的超越性[J].西南师范大学学报(人文社会科学版),2008,34(2):35-39. |
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| 作者姓名： | 吴迎君 |
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| 作者单位： | 四川大学文学与新闻学院,四川成都610064 |
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| 摘 要： | “电影作者”胡金铨对武侠电影进行了全方位超越，将中国传统文化和现代电影艺术有机结合，使武侠电影作为成熟的类型电影得到西方学界认可，由此奠定了中国武侠电影的国际地位。胡金铨武侠电影的超越性可从三个维度加以全面审视：开创新武侠世纪的历史性超越，建构中国电影美学体系的美学超越，确立文史武侠叙述范式的类型电影超越。
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| 关 键 词： | 胡金铨 武侠电影 超越性 |
| 文章编号： | 1673-9841（2008）02-0035-05 |
| 收稿时间： | 2007-11-20 |
| 修稿时间： | 2007年11月20 |
Transcendency of King Hu's Martial Arts Films |
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| WU Ying-jun.Transcendency of King Hu's Martial Arts Films[J].Journal of Southwest China Normal University(Philosophy & Social Sciences Edition),2008,34(2):35-39. |
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| Authors: | WU Ying-jun |
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| Institution: | WU Ying-jun (School of Literature and Journalism, Sichuan University, Chengdu 610064, China) |
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| Abstract: | King Hu is the master of Chinese films, and his brilliant understanding of Chinese traditional art allowed him to greatly enhance the modern martial arts films. His works have created the trend for martial arts films. This essay addresses the representation of transcendency in the martial arts films of King Hu from three aspects, namely inaugurating a new generation of martial arts film, establishing the＂Chinese aesthetic system＂, and the chivalry narration of historical events. |
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| Keywords: | King Hu martial arts film~ transcendency |
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