| 西方艺术的审美现代性略论 |
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| 引用本文： | 席景霞.西方艺术的审美现代性略论[J].石家庄师范专科学校学报,2014(4):97-100. |
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| 作者姓名： | 席景霞 |
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| 作者单位： | 巢湖学院艺术学院,安徽巢湖238000 |
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| 摘 要： | 现代艺术与传统艺术的区别总的来说只有两个字。即“反叛”。在艺术范畴内部的“现代性”是自觉地与古典艺术理性知识主义、社会道德主义与和谐秩序主义的传统范式相对抗．企图超越既有的艺术传统，转向感性、非理性、非秩序与艺术独立自律，从而形成一种新的艺术价值观念；同时，在西方社会现代化的“现代性”实现过程中，现代艺术也是对其中暴露出来的危机一面的反映。艺术家们不满于社会现代性带来的诗意丧失、人性失衡与价值失落，渴望用审美的维度来拯救现代人．从而转向感性个体的审美。
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| 关 键 词： | 传统美学 现代艺术 社会现代性 反叛 |
On Aesthetic Modernity of Western Art |
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| XI Jing-xia.On Aesthetic Modernity of Western Art[J].Journal of Shijiazhuang Teachers College,2014(4):97-100. |
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| Authors: | XI Jing-xia |
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| Institution: | XI Jing-xia (School of Fine Arts,Chaohu University,Chaohu,Anhui 238000,China) |
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| Abstract: | The difference between the modern and traditional art could be summarized as one word ＂rebelhon . The ＂modernity＂ in the realm of art is to fight against the doctrine of classical art and rational knowledge, social morals and the traditional paradigm of harmonious order. It attempts to go beyond the existing traditional art, turning to the sensibility,irrationality, non- order, and artistic independence and self-discipline, which would form a new value on art ;meanwhile ,the modern art is a kind of response to the crisis exposed in the process of the implementation of the ＂modernity＂ of the Western social modernization. Artists are dissatisfied with the fact that modern society brings loss in poetry, human imbalance and loss of value. And they aspire to save people from the aesthetic dimension, thus turning to perceptual individual aesthetics. |
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| Keywords: | traditional aesthetics modern art social modernity rebellion |
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