| 后殖民女性主义视野下的《百感神秘》和《所罗门之歌》 |
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| 引用本文： | 王小燕.后殖民女性主义视野下的《百感神秘》和《所罗门之歌》[J].重庆教育学院学报,2012,25(5):86-89,111. |
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| 作者姓名： | 王小燕 |
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| 作者单位： | 福建中医药大学外语教研室,福州,350108 |
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| 摘 要： | 华裔女性作家谭恩美和非裔女性作家托妮.莫里森是生存在美国白人主流文化里的边缘作家,她们的身份和她们的文学一样被烙上了＂他者＂的标签。从后殖民女性主义视角,特别是斯皮瓦克的＂属下＂理论,我们可以看到谭恩美作品《百感神秘》和托妮.莫里森作品《所罗门之歌》里女性人物的具有浓厚的属下气质。但是＂属下＂女性们用她们的方式在＂说话＂,同时她们的属下气质不会因为＂说话＂而得到消解。
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| 关 键 词： | 《百种神秘》 《所罗门之歌》 后殖民女性主义 属下 |
The Hundred Secret Senses and Song of Solomon from the perspective of postcolonial feminism |
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| WANG Xiao-yan.The Hundred Secret Senses and Song of Solomon from the perspective of postcolonial feminism[J].Journal of Chongqing College of Education,2012,25(5):86-89,111. |
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| Authors: | WANG Xiao-yan |
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| Institution: | WANG Xiao-yan(Teaching and Research Section of Foreign Languages,Fujian University of Traditional Chinese Medicine,Fuzhou 350108,Fujian,China) |
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| Abstract: | Chinese American writer Amy Tan and African American writer Toni Morrison being marginalized by the dominant culture of the white,their identities like their literature are labeled with "others".From the perspective of the postcolonial feminism,especially Spivak’s theories about "subalterns",the female images in The Hundred Secret Senses by Amy Tan and Song of Solomon by Toni Morrison are stuck with intense subalternity.However,those female "subalterns" "speak" in their own ways.Yet their subalternity could not be removed by their "speaking". |
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| Keywords: | The Hundred Secret Senses Song of Solomon postcolonial feminism subaltern |
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