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论嵇康《声无哀乐论》的美学思想
引用本文:赵梅枝.论嵇康《声无哀乐论》的美学思想[J].许昌学院学报,2005,24(4):50-53.
作者姓名:赵梅枝
作者单位:许昌学院,音乐系,河南,许昌,461000
摘    要:以“和”为关是嵇康《声无哀乐论》关学思想的核心。“和”在哲学的层面是指宇宙自然的和谐统一,它体现了宇宙生成的法则和规律:而这种法则的最好承载者是音乐,音乐代表了这种和谐统一,所以,“和”关是音乐追求的最高理想。嵇康以“和”论乐,认为音乐的本体是与时代政治和人的情感无关的自然之和;在音乐与情感的关系上,认为音乐与情感并无必然的联系,而是一种对应关系;音乐除了移风易俗的教化功能外,还具有“导养神气,宣和情志”的娱乐功能。

关 键 词:嵇康  声无哀乐    音乐关学
文章编号:1671-9824(2005)04-0050-04
修稿时间:2005年3月26日

On the aesthetic thought of Ji Kang's Sheng Wu Ai Yue Lun
ZHAO Mei-zhi.On the aesthetic thought of Ji Kang''''s Sheng Wu Ai Yue Lun[J].Journal of Xuchang University,2005,24(4):50-53.
Authors:ZHAO Mei-zhi
Abstract:Regarding He as beauty is the heart of the aesthetic thought of Ji Kang's Sheng Wu Ai Yue Lun. He philosophically refers to the natural harmony in the universe and it shows the law of the universe.The best carrier of the law is music and music represents this kind of harmony.Thus,the beauty of He is the supreme ideal that music pursues.Ji Kang discusses music by means of He,considering the body of music to be the natural harmony that has nothing to do with the political situation of the time and human emotion. He does not believe there is any inevitable link between music and emotion.He argues that music has the function of recreation as welll as that of teaching.
Keywords:Ji Kang  Sheng Wu Ai Yue Lun  He  musical aesthetics  
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