| 从《笨花》看铁凝文学上的突破与发展 |
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| 引用本文： | 李旺.从《笨花》看铁凝文学上的突破与发展[J].十堰职业技术学院学报,2008,21(1):76-78. |
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| 作者姓名： | 李旺 |
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| 作者单位： | 安徽师范大学文学院,安徽芜湖,241000 |
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| 摘 要： | 铁凝长篇小说《笨花》从史诗品格、风俗画等多方面着笔改变了她以往的写作风格,以一种新的视角关注着历史风云变化下的"世俗烟火",挖掘人性中的大美,关注人民的内在道德和智慧完成了她在艺术和思想上的突破与发展。
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| 关 键 词： | 史诗品格 内在道德 人物形象 突破发展 |
| 文章编号： | 1008-4738（2008）01-0076-03 |
| 收稿时间： | 2007-11-15 |
| 修稿时间： | 2007年11月15 |
On TIE Ning's Literature Breakthrough and Development from the Perspective of Her Novel Benhua |
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| LI Wang.On TIE Ning's Literature Breakthrough and Development from the Perspective of Her Novel Benhua[J].Journal of Shiyan Technical Institute,2008,21(1):76-78. |
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| Authors: | LI Wang |
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| Institution: | SHAO Xia (School of Foreign Languages,Suzhou University,Suzhou 215104,China) |
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| Abstract: | Scenery poem is a highly artistic style among all kinds of texts. This paper analyzes the features of scenery poems and tries to make a cognitive interpretation by applying the figure-ground theory to Chunjiang, Hua and Yueye （River in spring,Flowers and Moonlit night）. The result shows that scenery poems display the scenic picture through the shift and change of figure and ground. |
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| Keywords: | scenery poems figure ground cognitive linguistics Chunjiang Hua and Yueye |
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