| 空间美学视阈下的汪野亭与何许人 |
| |
| 引用本文： | 高畅.空间美学视阈下的汪野亭与何许人[J].四川三峡学院学报,2014(6):71-74. |
| |
| 作者姓名： | 高畅 |
| |
| 作者单位： | 华中师范大学文学院,湖北武汉430079 |
| |
| 摘 要： | 20世纪初,景德镇形成了著名的瓷艺家团体——＂珠山八友＂,其中的汪野亭与何许人,都以山水瓷画闻名于世。汪野亭偏爱春秋山水,何许人独爱雪景山水。在空间美学视阈下观照二人的瓷艺作品,从叙事空间、抒情空间、意蕴空间三个层面切入比较,由内在画境走向外在空间进行分析,进而领悟二人作品呈现出的不同风貌——清逸与清净。
|
| 关 键 词： | 汪野亭 何许人 空间 清逸 清净 |
A Comparison between Wang Yeting and He Xuren from the Perspective of Spatial Aesthetics |
| |
| GAO Chang.A Comparison between Wang Yeting and He Xuren from the Perspective of Spatial Aesthetics[J].Journal of Chongqing Three-gorges University,2014(6):71-74. |
| |
| Authors: | GAO Chang |
| |
| Institution: | GAO Chang (School of Literature, Central China Normal University, Wuhan, Hubei 430079) |
| |
| Abstract: | At the beginning of 20 th century, Jingdezhen witnessed a famous group of porcelain painters-Zhushan Eight-Friend Group. Wang Yeting and He Xuren are both members of this group. They are famous for their landscape paintings. Wang Yeting favors spring-autumn landscape while He Xuren snow-capped landscape. This paper observes their paintings through spatial aesthetics and analyses the meaning of them through three aspects： narrative space, emotional space, implicit space. The paintings of theirs show different artistic style： detached and pure. |
| |
| Keywords: | Wang Yeting He Xuren space detached pure |
| 本文献已被 维普 等数据库收录！ |
|
