| “今古文体”之争与齐梁书风的转变 |
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| 引用本文： | 李爽.“今古文体”之争与齐梁书风的转变[J].内江师范学院学报,2011,26(5):100-102. |
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| 作者姓名： | 李爽 |
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| 作者单位： | 四川师范大学团委,四川成都,610066 |
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| 摘 要： | 齐梁时期兴起的＂今古文体＂之争,使文人逐渐形成对文体因与革、文与质、繁与简相折中的态度,这必然对社会文化氛围产生深刻的影响。任何一种书体的盛行都离不开当时的历史文化成因,王羲之＂肥瘦相和,骨力相称＂,具有＂中和之美＂的书法得以在齐梁时期复兴,与当时齐梁的社会文化风潮是不无关系的。
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| 关 键 词： | 今古文体 书风转变 齐梁书体 |
The Dispute between Ancient and Modern Writing Styles and the Change of Calligraphic Styles in Qi and Liang Dynasties |
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| LI Shuang.The Dispute between Ancient and Modern Writing Styles and the Change of Calligraphic Styles in Qi and Liang Dynasties[J].Journal of Neijiang Teachers College,2011,26(5):100-102. |
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| Authors: | LI Shuang |
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| Institution: | LI Shuang(Youth League Committee,Sichuan Normal University,Chengdu,Sichuan,610066,China) |
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| Abstract: | The dispute between ancient and modern writing styles rising in Qi and Liang Dynasties made scholars gradually compromised to their evolution.This might inevitably exert influence on the social cultural atmosphere at the time.The thriving of any calligraphic styles cannot be separated from their social and cultural backgrounds.Therefore,WANG Xi-zhi's symmetry between thickness and thinness,hence the neutralized beauty,was closely related with the social and cultural tide of Qi and Liang Dynasties. |
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| Keywords: | ancient and modern writing styles change of calligraphic styles calligraphic styles in Qi and Liang Dynasties |
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