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审美场视角下的桂西北当代文学
引用本文:王晓晨,杨东.审美场视角下的桂西北当代文学[J].孝感职业技术学院学报,2014(1):56-60,103.
作者姓名:王晓晨  杨东
作者单位:广西民族大学文学院,广西南宁530008
基金项目:广西哲学社会科学“十一五”规划青年项目“桂西北作家群的文化诗学研究”(项目编号:08CZW002)的阶段性研究成果.
摘    要:审美场是指一定社会历史时空下具有共同性的审美氛围。利用审美场理论来分析桂西北当代文学,可以总结出桂西北审美场存在多维共生特性。从审美理式上来看,它主要是对主流意识形态审美场的呼应,对汉族审美场的趋同;从审美范式上来看,民族、环境和时代共同参与了桂西北文学的书写。按照历史演进,可以将桂西北文学分为英雄期审美场、“百越”审美场和大众审美场三个阶段。

关 键 词:桂西北  当代文学  审美场  审美理式  审美范式

Contemporary Literature From the Perspective of Aesthetic Field in Northwestern Guangxi
WANG Xiao- chen,YANG Dong.Contemporary Literature From the Perspective of Aesthetic Field in Northwestern Guangxi[J].Journal of Xiaogan Vocational-Technical College,2014(1):56-60,103.
Authors:WANG Xiao- chen  YANG Dong
Institution:( School of Arts, Guangxi University of Nationalities, Nanning, Guangxi 530008, China)
Abstract:Multi - dimensional commensalism features could be concluded by analyzing contemporary literature with aesthetic theory, a kind of aesthetic atmosphere in a certain social and historical space - time. From the view of aesthetic theory, it is mainly the mainstream ideology echoing and advolution of aesthetic field of the Han Nation- ality. From the view of model, nationality, environment and era have been integrated in northwestern Guangxi liter- ature, which can be classified into three aesthetic field periods of heroes, "Baiyue" and public in chronological or- der.
Keywords:northwestern Guangxi  contemporary literature  aesthetic field  easthetic theory  aesthetic model
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