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皈依与背离——“归来者”梁南诗歌文本的主体性解读
引用本文:汪雨涛.皈依与背离——“归来者”梁南诗歌文本的主体性解读[J].海南师范大学学报(社会科学版),2009,22(1):106-109.
作者姓名:汪雨涛
作者单位:南京大学,中国现代文学研究中心,南京,江苏,210093
摘    要:就第一人称的诗歌写作而言,梁南是“归来派”诗人中的一种典型个案。梁南在此类诗作中,借助话语主体与写作主体相融的审美成规,使文本的审美语境向时代审美语境靠拢,在文本中完成了“我”、诗人与“归来者”三种主体的重合结构,从而构成一个有机知识分子应意识形态询唤而形成的依附性主体。但文本的裂缝却使诗人潜在欲望逸出,从而有限地完成了对意识形态象征秩序的暗中背离。

关 键 词:写作主体  话语主体  主体融合  外在性  有机知识分子

Conversion and Deviation
Authors:WANG Yu-tao
Institution:WANG Yu-tao ( Center for Modern Chinese Literature Studies, Nanjing University, Nanjing210093, China)
Abstract:As regards poems written in the first person, Liang Nan is a typical representative of "returned poets". In his poetic writing, Liang Nan has succeeded in drawing the aesthetic context of his poems close to the epochal aesthetic context by virtue of the aesthetic practice of integrating the discourse subjects with the poet, thus having merged "I", the poet and "the returned", and having constituted the bound subject of an organic intellectual formed in line with the ideological call. However, there are in poems some cracks which may activate the latent lust of the poet and thus exhibit the covert deviation of the poet from the main ideology.
Keywords:the writing subject  the discourse subject      subject integration  externality  organic intellectuals
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