| "新文人画"论 |
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| 引用本文： | 冉献东."新文人画"论[J].商丘职业技术学院学报,2006,5(1):94-95. |
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| 作者姓名： | 冉献东 |
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| 作者单位： | 商丘师范学院,美术系,河南,商丘,476000 |
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| 摘 要： | “新文人画”的产生不是一蹴而就,更不是一个画家群体或一两个人的突发灵感而产生的,有其深远的历史渊源和积淀,经过近代社会上百年的积累而进发的一种意识潮流,随之而来的是各种后后现代的“新”主义。
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| 关 键 词： | “中国画” 文人画 文人画家 新文人画 新文人画家 |
| 文章编号： | 1671-8127（2006）01-0094-02 |
| 收稿时间： | 2005-11-11 |
| 修稿时间： | 2005年11月11 |
On "The New Scholar Drawings" |
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| RAN Xian-dong.On "The New Scholar Drawings"[J].Journal of Shangqiu Vocational and Technical College,2006,5(1):94-95. |
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| Authors: | RAN Xian-dong |
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| Abstract: | Production of "new scholar draw " to accomplish in one move, not even one painter colony or a few people come down with inspiration and produce. There are its far-reaching historical origin and accumulation, modern " new doctrine " after a following one of a kind of consciousness trend bursting out in accumulation for a century is various kinds of in the modern society. |
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| Keywords: | Chinese painting the scholar draws scholar and painter the new scholar draws new scholar and painter |
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