| 论书法的中和之美 |
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| 引用本文： | 李健,刘佳宁.论书法的中和之美[J].廊坊师范学院学报,2004,20(3):111-114. |
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| 作者姓名： | 李健 刘佳宁 |
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| 作者单位： | 1. 廊坊师范学院,教育系,河北,廊坊,065000
2. 廊坊师范学院,艺术系,河北,廊坊,065000 |
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| 摘 要： | 经历一段曲折后，中国书法又向继承传统的方向回归。中国书法是在中国文化的大背景中产生出来的。书法作为一种文化的表现形式，集中体现了古典关学的中和之关。分析书法中和之美的形成与表现形式，阐述中和之关对书法学习的指导作用有助于理解传统、把握传统、继承传统。
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| 关 键 词： | 中和之美 儒释道 中庸 阴阳 表现形式 指导作用 |
| 文章编号： | 1671-1416(2004)03-0111-04 |
| 修稿时间： | 2004年6月27日 |
On the Aesthetics of Neutralization in Chinese Calligraphy |
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| LI Jian,LIU Jia-ning.On the Aesthetics of Neutralization in Chinese Calligraphy[J].Journal of Langfang Teachers College,2004,20(3):111-114. |
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| Authors: | LI Jian LIU Jia-ning |
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| Institution: | LI Jian1,LIU Jia-ning2 |
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| Abstract: | After a peroid of complications, Chinese calligraphy is returning back to the direction of inheriting the tradition. As a form of expression of culture, Chinese calligraphy embodies the neutralization in classical aesthetics. Analysing the forming of the aesthetics and the forms of expression and expounding the instructive effect of neutralization aesthetics on calligraphy learning helps to understand, grasp and inherit the tradition. |
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| Keywords: | aesthetics of neutralization Confucian interpretation of Tiao Zhongyong(the golden mean of Confucian school) Yin and Yang form of expression instructive effect |
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