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新论汉赋审美心态之生成、创发与迁流
引用本文:冯小禄,张欢.新论汉赋审美心态之生成、创发与迁流[J].云南师范大学学报(哲学社会科学版),2011,43(4):131-135.
作者姓名:冯小禄  张欢
作者单位:云南师范大学 文学院,云南昆明,650092
摘    要:以汉人集中体现于各体类赋文中的审美心态为论题,探求以理性、求全、夸饰为尚的汉赋审美心态,正是生成于汉赋特殊的象类式铺陈的感知表现方式,及汉代赋家居于各种政治道德人格和文化人格之中的审美人格,进而讨论汉赋三体对先秦以来文学表现范式的发扬光大与集成创发,以及随东西汉之分而发生的语体、气性、风格迁流。

关 键 词:“汉赋性格”  “汉赋方式”  汉赋审美心态  审美人格  集成  迁流

The Mechanism, Development and Transformation of the Aesthetic Mentallty of Han Fu
FENG Xiao-lu,ZHANG Huan.The Mechanism, Development and Transformation of the Aesthetic Mentallty of Han Fu[J].Journal of Yunnan Normal University(Philosophy and Social Sciences Edition),2011,43(4):131-135.
Authors:FENG Xiao-lu  ZHANG Huan
Institution:FENG Xiao-lu,ZHANG Huan(School of Literature,Yunnan Normal University,Kunming 650092,China)
Abstract:The aesthetic mentality of Han Fu is based on the special perceptive modes and expressive modes with much expatiation,and on the aesthetic personality among other political personality,moral personality,cultural personality,etc.This paper discusses three different types of Han Fu which carried forward the excellent expressive tradition of literature since the pre-Qin period,and the transformation of the textual language,writer's individuality and literary style in the two Han Dynasties.
Keywords:character of Han Fu  mode of Han Fu  aesthetic mentality of Han Fu  aesthetic personality  integration  transformation  
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