| 略论普希金作品中“多余人”形象的演化 |
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| 引用本文： | 唐晓.略论普希金作品中“多余人”形象的演化[J].襄樊职业技术学院学报,2008,7(4):116-118. |
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| 作者姓名： | 唐晓 |
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| 作者单位： | 荆楚理工学院,文学院,湖北,荆门,448000 |
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| 基金项目： | 湖北省教育科学规划项目 |
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| 摘 要： | 俄罗斯文学作品中的“多余人”形象带着俄国社会19世纪的时代烙印而产生。赫尔岑对多余人形象特征的概括已经被诸多研究者认可并接受。之前的许多研究关注的“多余人”是从奥涅金这一成熟的典型开始的。试图从文本分析的角度，对普希金之前的两部长诗《高加索的俘虏》和《茨冈》进行研读，探寻多余人形象的萌生与演化过程。
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| 关 键 词： | 多余人 萌芽 “俘虏” 阿乐哥 奥涅金 |
Discussion about the Evolution of"The Unnecessary Person" Images in Pushkin's Works |
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| TANG Xiao.Discussion about the Evolution of"The Unnecessary Person" Images in Pushkin's Works[J].Journal of Xiangfan Vocational and Technical College,2008,7(4):116-118. |
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| Authors: | TANG Xiao |
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| Institution: | TANG Xiao (School of Literature, Jinehu University of Technology, Jinmen Hubei 448000, China) |
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| Abstract: | ＂The unnecessary person＂ images in Russian literature works was produced in the 19th century in Russian society, and the summary about the characteristic of ＂the unnecessary person＂ images, which produced by Herzen has been accepted by many researchers. Many researches considered that ＂the unnecessary person＂ image was produced with ＂Onegin＂. This article attempts from the perspective of the analysis of the text, to read two long poems again, that is ＂Caucasus Captives＂ and ＂Cigang＂, to explore sprout and evolution process of ＂the unnecessary person＂ images. |
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| Keywords: | the unnecessary person sprout captive Alege Onegin |
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