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"远"观念与中国山水画的诞生
引用本文:荆琦."远"观念与中国山水画的诞生[J].金陵科技学院学报(社会科学版),2007,21(4):73-76.
作者姓名:荆琦
作者单位:南京艺术学院美术学院,江苏,南京,210013
摘    要:中国传统山水画的诞生与"远"观念有着紧密的渊源和联系,从语义学、哲学、美学以及画学的角度逐渐展开,试图探究"远"观念影响下山水画的产生的内在精神因素。

关 键 词:  山水画  庄子  玄学
文章编号:1673-131X(2007)04-0073-04
修稿时间:2007年9月28日

The Idea of Distance and the Born of Traditional Chinese Landscape Painting
JING Qi.The Idea of Distance and the Born of Traditional Chinese Landscape Painting[J].Journal of Jinling Institute of Technology :Social Science Edition,2007,21(4):73-76.
Authors:JING Qi
Abstract:On the basis of full documentary information,this thesis studies the original meaning of the word "distance",and then analyzes the influences of metaphysics as well as criticism on persons in Wei and Jin Dynasties to the nature and connotation of "distance",so as to discover the developing process of the word "distance" from the area of semantics to that of aesthetics.This thesis makes a further demonstration on the relationship between "distance" and the birth of traditional Chinese landscape painting.
Keywords:distance  traditional Chinese landscape painting  Zhuangzi  metaphysics
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