| “文革”样板戏中女性形象意蕴解析 |
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| 引用本文： | 闫秀梅.“文革”样板戏中女性形象意蕴解析[J].潍坊教育学院学报,2006,19(2):44-45. |
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| 作者姓名： | 闫秀梅 |
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| 作者单位： | 潍坊教育学院中文系,山东 青州 262500 |
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| 摘 要： | “样板戏”是中国文艺史上的一个特殊的现象,在“样板戏”的文本中出现了大量的女英雄的形象,表面上女性的地位被提高到完全与男性平等的地步,实际上并非如此简单。本文从“样板戏”的女性形象入手,试图分析女性形象和所折射出的男权意识的关系。
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| 关 键 词： | 样板戏 女英雄 女性形象 男权意识 |
| 文章编号： | 1009-2080（2006）02-0044-02 |
| 收稿时间： | 2006-06-01 |
| 修稿时间： | 2006-06-01 |
Heroines in Model Beijing Opera Mirrors Male Chauvinism |
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| Yan Xiumei.Heroines in Model Beijing Opera Mirrors Male Chauvinism[J].Journal of Weifang Educational College,2006,19(2):44-45. |
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| Authors: | Yan Xiumei |
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| Institution: | The Chinese Language and Literature Department of Weifang Educational College, Qingzhou Shandong 262500 |
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| Abstract: | Model Beijing Opera is a special phenomenon in the history of Chinese Literature.The heroines in Model Beijing Opera are equal to man in the works seemingly.This paper is to analyze the relationship between female characters and male chauvinism reflected in the operas.There are many heroines appeared in Model Beijing Opera,who are robust and masculine like.All the female particularities of heroines' including their appearances,emotion and consciousness are disappeared.Their fate of being controlled by man cannot be changed although they look like to hold half sky.All the heroines have no consciousness to revolt against man's ruling and what they have done is to obey and imitate man.When they lose their self-consciousness they are still the appendage of man in the revolution era.In fact Model Beijing Opera shows the idea that female just some symbol attached in the man-ruling world. |
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| Keywords: | Model Beijing Opera heroine female character male chauvinism |
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