| 马克思与中国文艺理论的现代化 |
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| 引用本文： | 崔康柱.马克思与中国文艺理论的现代化[J].渭南师范学院学报,2011,26(3):33-37. |
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| 作者姓名： | 崔康柱 |
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| 作者单位： | 渭南师范学院,人文学院,陕西渭南,714000 |
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| 摘 要： | 用历史的眼光重新认识经典马克思的文学思想,可以看出,在马克思看来,艺术生产是社会需要和审美需要的合力作用的结果。作为社会主义意识形态的文学艺术必须牢牢把握人民群众在不同历史时期的两种需要。五四以来,我国的文艺理论就是根据这两种需要,对马克思主义文艺理论的逆向接受。当代的马克思主义文艺理论建设,应该根据建设和谐社会的需要,用马克思的大美学思想,对话语理论进行马克思主义的美学阐释,创造各种文艺话语平等交往的和谐空间。
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| 关 键 词： | 马克思主义文艺理论 艺术生产 社会需要 审美需要 陌生化 |
Marx and Modernization of Chinese Literary and Artistic Theory |
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| CUI Kang-zhu.Marx and Modernization of Chinese Literary and Artistic Theory[J].Journal of Weinan Teachers College,2011,26(3):33-37. |
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| Authors: | CUI Kang-zhu |
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| Institution: | CUI Kang-zhu(School of Humanity,Weinan Teachers University,Weinan 714000,China) |
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| Abstract: | Rethinking on the literary thought of classical Marx in the perspective of historical view,we can draw a conclusion that art production is the result of the resultant force between social need and aesthetics need held by Marx.As socialism ideology,our literature and art should pay attention to the two needs from the people in different times.Since May 4th Movement in 1919,our Chinese literary and artistic theory has been in adverse acceptance towards Marxist literary and artistic theory.The contemporary con... |
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| Keywords: | Marxist literary and artistic theory art production social need aesthetic need defamiliarization |
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