| 论中国书法的意境美 |
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| 引用本文： | 吴怀民.论中国书法的意境美[J].河池学院学报,2007,27(4):113-115,119. |
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| 作者姓名： | 吴怀民 |
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| 作者单位： | 河池学院,艺术系,广西,宜州,546300 |
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| 摘 要： | 意境是中国美学的,也是中国独有的艺术——书法的一个重要范畴。本文论述了中国书法之所以产生意境的原因;阐述了中国书法意境美的各种表现形式;对当前书坛在创作上由于受展览影响而缺乏意境的现象进行反思,提醒人们在书法创作中要重视营造意境。
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| 关 键 词： | 书法 意境 原因 表现 反思 |
| 文章编号： | 1672-9021（2007）04-0113-03 |
| 收稿时间： | 2007-07-05 |
| 修稿时间： | 2007-07-05 |
On the Charming in Artistic Conception of Chinese Calligraphy |
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| WU Huai-ming.On the Charming in Artistic Conception of Chinese Calligraphy[J].Journal of Hechi University,2007,27(4):113-115,119. |
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| Authors: | WU Huai-ming |
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| Institution: | Department of Art, Hechi University, Yizhou, Guangxi 546300, China |
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| Abstract: | Artistic conception is an important category of Chinese aesthetics,and also of Chinese calligraphy, a typical and unique art. In this paper the author states the reasons for the appearance of Chinese calligraphy,and elaborates different forms of expressing artistic conception in Chinese calligraphy;the author thus makes re-contemplation on the absence of artistic conception in Chinese current creation in the field of calligraphy caused by shows, and reminds people of making artistic conception while creating Chinese calligraphic works. |
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| Keywords: | calligraphy artistic conception reason express re-contemplation |
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