| 艺术语言产生的认知动因研究 |
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| 引用本文： | 齐春红.艺术语言产生的认知动因研究[J].云南师范大学学报(哲学社会科学版),2006,38(4):113-117. |
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| 作者姓名： | 齐春红 |
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| 作者单位： | 云南师范大学,国际语言文化学院,云南,昆明,650092 |
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| 摘 要： | 发话主体在艺术语言的创作过程中，常常将自己对世界的审美体验融进了艺术语言。发话主体对世界的新的审美体验需要新的艺术语言来表达，新的艺术语言也就自然产生。发话主体的艺术语言不仅反映了他对某一具体的事物的审美体验，还反映了他对世界的整体的审美体验。审美体验模式是人对世界的模式化的审美体验方式和认知方式。发话主体对传统的审美体验模式既有继承，也有超越。发话主体对传统的表现模式既有继承，也有超越，发话主体超越了固有的表现模式，艺术语言便产生了。隐喻是这种艺术语言得以产生的思维方式。
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| 关 键 词： | 艺术语言 审美体验 互动关系 隐喻 |
| 文章编号： | 1000-5110（2006）04-0113-05 |
| 收稿时间： | 2006-01-10 |
| 修稿时间： | 2006-01-10 |
On the Cognitive Motive Caused by Artistic Language |
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| QI Chun-hong.On the Cognitive Motive Caused by Artistic Language[J].Journal of Yunnan Normal University(Philosophy and Social Sciences Edition),2006,38(4):113-117. |
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| Authors: | QI Chun-hong |
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| Institution: | School of Chinese and International Studies, Yunnan Normal University,Kunming 650092, China |
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| Abstract: | When creating artistic language, the speaker often blends his aesthetic experience about the world into his artistic language. The speaker needs new artistic language to express his new aesthetic experience about the world, which is the motive of creating new artistic language. The artistic language does not only express his aesthetic experience of one concrete thing, but also reflects his aesthetic experience of the whole world. The aesthetic experience mode is a pattern through which man understands and experiences the world aesthetically. The speaker can not only inherit but also transcend the traditional aesthetic experience mode, and the same is true of expression mode. When he transcends the innate experience mode, the new artistic language comes into being. Metaphor is a way of thinking which produces artistic language. |
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| Keywords: | artistic language aesthetic experience relationship of interaction metaphor |
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