| 庄子和汉大赋的"大美" |
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| 引用本文： | 周威兵.庄子和汉大赋的"大美"[J].安徽教育学院学报,2006,24(1):65-68,123. |
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| 作者姓名： | 周威兵 |
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| 作者单位： | 北京师范大学,汉语文化学院,北京,100875 |
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| 摘 要： | 汉赋的“大”美所展示的人与外物的关系,与庄子所设定的人和自然的关系一样。庄子和汉赋采用了同样的审美视角,有着类似的时空秩序和完整的结构,都以纯净之心悉心体验着世界,在对外物的自由游观中体现出“好奇”的风格。汉赋又不像庄子一样以心态的虚静为旨归,而是更加注重感性的体验,并将审美对象由自然延伸到社会,且比庄子的哲理论述更加表象化。
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| 关 键 词： | 庄子 汉赋 “大”美 |
| 文章编号： | 1001-5116（2006）01-0065-04 |
| 收稿时间： | 2005-07-26 |
| 修稿时间： | 2005-07-26 |
Zhuangzi and the Supreme Beauty of the Grand Ode in the Han Dynasty |
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| ZHOU Wei-bing.Zhuangzi and the Supreme Beauty of the Grand Ode in the Han Dynasty[J].Journal of Anhui Institute of Education,2006,24(1):65-68,123. |
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| Authors: | ZHOU Wei-bing |
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| Abstract: | The relationship between Man and the Nonego revealed in the supreme beauty of the Han Odecoincides in the relationship between Man and Nature prescribed by Zhuangzi.Adopting almost the sameaesthetic perspective,Zhuangzi and Han Ode devoted all their attention to the experience of the world withpure heart with similar order of time and space and complete structure.They both materialized the style ofcuriosity in their freely wandering viewing of the nonego.Unlike Zhuangzi who regarded the psychologicalvoid and tranquility as the ultimate destination,Han Ode usually valued more the sensible experience andextended the aesthetic object of nature to society and appeared more idealistic than the philosophicalnarration of Zhuangzi. |
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| Keywords: | Zhuangzi Han Ode "supreme" beauty |
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