| 电影:从知觉到审美知觉 |
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| 引用本文： | 颜纯钧.电影:从知觉到审美知觉[J].福建师范大学学报(哲学社会科学版),2012(2):109-116. |
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| 作者姓名： | 颜纯钧 |
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| 作者单位： | 福建师范大学传播学院 |
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| 摘 要： | 美不是在知觉之前就已现成地存在着的(不管是在客观还是在主观),只是随着知觉行为的发生,由于外部信息和内部信息的重组,美才产生了,而且就产生在知觉中。在这种情况下,知觉不仅仅具有审美的功能,而且美直接取决于知觉;知觉直接地孕育了美,直接地成为美产生和存在的处所。只有在知觉中,客体对象才因为主体的加工而成为审美对象;也只有在知觉中,人才把符合条件的客体对象感知为审美对象。审美知觉和一般知觉所不同的是它不仅为主体提供信息和对客体作出加工,更重要的是还提供了一种肉身的身体———主体的享受。从知觉传递信息到通过知觉获得享受,这是人的知觉意义重大的一次分化。自此,知觉不仅具有认知的功能,同时还形成了审美的功能。
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| 关 键 词： | 电影 知觉 身体 审美 |
Film:From Perception to Aesthetic Perception |
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| YAN Chun-jun.Film:From Perception to Aesthetic Perception[J].Journal of Fujian Normal University(Philosophy and Social Sciences Edtion),2012(2):109-116. |
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| Authors: | YAN Chun-jun |
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| Institution: | YAN Chun-jun(College of Communication,Fujian Normal University,Fuzhou 350108,China) |
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| Abstract: | Beauty doesn’t readily exist before perception(neither objectively nor subjectively) but comes into being as a result of the reorganization of external and internal information through perception.Consequently,perception has a function of aesthetic appreciation and is a decisive factor of beauty as well.It directly gives birth to beauty and becomes a place for the existence of beauty.Only in perception does the object become the aesthetic target through the treatment of the subject and in perception only do people perceive an eliqible object as the aesthetic target.Aesthetic perception is different from general perception.It not only provides information for the subject but also gives treatment to the object.What is more,it gives enjoyment to the subject-the human body. It is a significant differentiation from perception passing the message to perception giving the enjoyment.Therefore,perception has not only the function of cognition but also the function of aesthetic appreciation. |
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| Keywords: | film perception body aesthetic |
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